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Biomechanical Analysis, Correction
and Retraining consultation with Student Emily Patterson, Joffrey
Ballet, IMDB,
The Company (2003), Save the Last Dance (2001).
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December 2011
International
Dancescience Development Program - Reaching the Next Level of
Performance in Technical and Artistic Development
Following a sabbatical from his medical studies in 1984, Stephen
Michael Apatow spent close to a decade as a competitive athlete, coach
and consultant,
pursuing advanced training in ultra distance running and cycling,
martial
arts and Soviet ballet training to international competition in
cycling,
cross country skiing and rowing.
During this training period the continuation of intensive studies of
myology, anthrology, osteology, neurology, exercise physiology and
biomechanics,
in conjunction with scholarships in dance and ballet training, led to
further research of the ideal postural alignment objective in the
classical ballet development program. This research encompassed an
intensive analysis of
the first through eighth year of the pedagogical system and Vaganova
based
training methodology as taught at the Nutmeg Conservatory for the Arts
in
Torrington, Connecticut. The result of this research led to the
development
of a specialized program that encompassed (1) the analysis of a joint
complex
by comparison to the classical ballet mechanical ideal, (2) the
integration
of corrective procedures to increase the elasticity of muscle-tendon
restrictions
associated with a malalignment pattern, (3) functional restoration of
joint
range of motion and flexibility and (4) retraining to enable postural
control
utilizing the ideal classical ballet based alignment as the objective.
In 1990, this experimental program was utilized to enhance the postural
alignment mechanics of an elite dancer Cheryl Madeux, a Nutmeg dancer
who was preparing for international ballet competitions in Lausanne and
Paris. The program yielded immediate results, including increased
hip range of motion (turnout), correction of knee, ankle foot
malalignment problems (that result from turnout below the knee), spinal
and shoulder alignment (restrictions of the shoulder complex that
affected port de bra and cervical spine alignment). Corrections were
then integrated into a concentrated retraining program that consisted
of fundamental exercise sequences at the ballet barre and integration
into all choreographed movement. A nutrition and classical ballet
specific aerobic training regimen was also developed to enhance
conditioning and
bodyline. The results of the one-month intensive program yielded a
rapid progression to the next technical level of performance, an
accomplishment not considered attainable through the classical ballet
daily training program alone.
The Madeux case served as a starting point for the integration of this
work into all levels of the pedagogical program at Nutmeg Ballet.
Today, In the early 90's the biomechanical analysis, correction
and
retraining program was adapted for athletes in Olympic and sports
development
programs and at the request of the medical community, orthopedic
applications
that included entrapment neuropathies, scoliosis, rheumatoid arthritis,
asthma, fibromyalgia, friedreich ataxia, multiple sclerosis and
veterinary
cases (canine, equine).
The course "Optimization of Classical Ballet
and Sports Development Programs" was first introduced in 1999 at
the National Conference for the Society of State Directors of Health,
Physical Education, and Recreation (SSDHPER - 73rd Annual Meeting
Program) for U.S. Board of Education offices and health educators
representing all 50 states. This course was formally presented as an
accredited course at the 11 state American Alliance for Health,
Physical Education, Recreation and Dance
(AAHPERD) Combined Convention on February 12, 2003 in Reno-Sparks,
Nevada.
The
International Dancescience Development Program is a collaborative
initiative of the Sports
Medicine & Science Institute,
Pathobiologics
International
and United Nations Arts
Initiative,
and provides specialized coaching in classical ballet based technical
and artistic development at the Nutmeg
Conservatory for the Arts
complex in Torrington, Connecticut.
For questions or additional
information, contact:
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Stephen Michael Apatow
Founder, Director of Research & Development
Sports Medicine & Science Institute
International Dancescience Development Program
Humanitarian University Consortium
Graduate Studies Center for Medicine,
Veterinary Medicine & Law
Phone: 203-668-0282
Email: s.m.apatow@edancescience.org
Internet: www.edancescience.org
United Nations Arts Initiative
Internet: www.unarts.org
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Copyright © 2011 Sports Medicine
& Science Institute All rights reserved
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